By José Lins do Rego
About the writer (from Goodreads):
José Lins do Rego Cavalcanti (July three, 1901 in Pilar Paraíba - September 12, 1957 in Rio de Janeiro) used to be a Brazilian novelist so much recognized for his semi-autobiographical "sugarcane cycle." those novels have been the root of flicks that had distribution within the English conversing global. in addition to Graciliano Ramos and Jorge Amado he stands as one of many maximum regionalist writers of Brazil. in response to Otto Maria Carpeaux (Brazilian literary critic), José Lins was once "the final of the tale tellers". His first novel, Menino de Engenho ("Boy from the plantation"), was once released with trouble, yet quickly it received praised through the critics.
Sobre o livro:
José Lins do Rego tinha paixão por futebol e, neste romance, o leitor vai saber dos bastidores do jogo, os negócios rendosos, sua política e politicalha. Joca é o personagem valuable, saído do inside do Rio de Janeiro, de origem extremamente pobre, acaba conseguindo fama e dinheiro no futebol carioca. A narrativa gira ainda em torno de três famílias de camadas sociais diferentes e seus destinos trágicos.
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Extra info for Água-mãe
Or can it be, in Lawrence’s terms, a “perfected relation”? When van Gogh paints sunflowers, he reveals, or achieves, the vivid relation between himself, as man, and sunflower, as sunflower, at that quick moment in time. . It is a revelation of the perfected relation, at a certain moment, between a man and a sunflower. It is neither man-in-themirror nor flower-in-the-mirror, neither is it above or below or across anything. It is between everything, in the fourth dimension. H. Lawrence (New York: St.
Both thinkers direct definite animus against "possessors" of "knowledge" in "compressed tabloids" (WL 86). d) Conscious, Unconscious Bakhtin's and Lawrence's dialogism utterly blurs ordinary distinctions between conscious and unconscious. Both thinkers endeavor to give consciousness maximum depth and height. "At the maximum of our imagination, we are religious," claims Lawrence, and he nearly always endeavors to write at that religious maximum, and from a fully unified conception of consciousness (P 559).
The wholeness of my soul I must achieve. " "Spirit" is a comprehensive term for Bakhtin: "The real object of study is the interrelation and interaction of 'spirits'" (N70-71 144). As in Lawrence, Bakhtin's "spirit" (a more inclusive notion than Bakhtin's definition of "soul") is always more than itself, reaching out beyond itself 18 Doherty suggests a similarity between Lawrence's and Derrida's conception of the "between" as a "non-dialectical middle, that which elides and eludes [oppositions]" ("Deconstructive" 484).
Água-mãe by José Lins do Rego