By Paolo Asso
Booklet four of Lucan??s epic contrasts Europe with Africa. on the conflict of Lerida (Spain), a violent hurricane reasons the neighborhood rivers to flood the apparent among the 2 hills the place the opposing armies are camped. Asso??s statement lines Lucan??s memories of early Greek stories of construction, while Chaos held the weather in vague confusion. This primordial broth units the tone for the entire ebook. After the conflict, the scene switches to the Adriatic shore of Illyricum (Albania), and eventually to Africa, the place the proto-mythical water of the start of the ebook cedes to the dryness of the wilderness. The narrative unfolds opposed to the heritage of the conflict of the weather. The Spanish deluge is changed via the desiccated desolation of Africa. The statement contrasts the representations of Rome with Africa and explores the importance of Africa as an area infected through evil, yet which continues to be a vital part of Rome. besides Lucan??s different geographic and natural-scientific discussions, Africa??s place as part of the Roman international is painstakingly supported by means of astronomic and geographic erudition in Lucan??s mixing of medical and mythological discourse. The poet is a visionary who helps his fact claims through medical discourse.
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Additional info for A Commentary on Lucan, ''De bello civili'' IV
Introduction 25 Rhetorical devices L. employs an array of tropes and figures to achieve all sorts of effects. Since he is interested in exploiting as many aspects as possible of a concept, it is best to begin with devices that let the poet repeat words and sounds. Alliteration is strictly speaking a poetic rather than a rhetorical feature, but its use naturally produces rhetorical effects because the repeated initial sounds keep the words together and function as an aural sign-posting device for the audience who listens to the poetic performance.
The Eastern wind discovered whatever clouds it could in its own region and hurled them into the westerly world with turbulent Nabataean winds, both those clouds Arabs feel and those the land of the Ganges exhales; it carried with it any mists the early sun had allowed to condense, anything the darkening Corus had driven from the morning heavens, and everything which had protected the Indians. The clouds, withdrawn from the East, warmed the day and were not able to drop rain, although pregnant with it; instead, the wind swept up storm clouds in their flight.
Philip Hardie’s path-breaking study on The Epic Successors of Virgil illustrates why critics more or less (un-)consciously have read post-classical epic with a pro-Virgilian bias. The acknowledgment that Virgil’s Aeneid spurs what Hardie terms ‘the dynamics of a tradition’ should not prevent readers from appreciating the worth of Ovid, Lucan, Silius, Statius, and Valerius, and not only because they are ‘all extremely sharp and informative readers of the Aeneid’ (Hardie 1993, xii), but especially because of their own contributions to the epic genre.
A Commentary on Lucan, ''De bello civili'' IV by Paolo Asso